sometimes we do
and
well
sometimes we don’t
it’s all very well and good
there’s tall and then there’s tall
it doesn’t happen to us all
but it does
enough
it’s hard
it’s tough
you see
the time slipped by
and the odd coincidences
seem to multiply
it makes me think
of the things done ‘wrong’
as if there’s any stock in that
as if it makes any sense at all
to wear a hat
when the weather’s nice
when the weather’s warm
when you need the time
but you can’t get born
you can’t get blood
from beneath that stone
it’s better for you
to be alone
darker
and wiser
lovelier too
more of them
than there are of you
try to recall how to get in
how to make it stir
make it stick
the ugly’s as easy to see
as any beauty will ever be
it’s right at the top
it hangs down to the knees
never says ‘thank you’
only says ‘please’
only makes use
of the things you can see
it hasn’t a moment for make believe
there’s a long, dark hallway
and a fisheye lens
proving
once again
that everything
depends
on where you’re looking from
and what can be seen
that the blues are certainly
sometimes
the greens
that the blacks are certainly
so close to the whites
that you’d mistake the two
if it was late in the night
or early on such an important day
that time took time
far
far
far
away
and
well
sometimes we don’t
it’s all very well and good
there’s tall and then there’s tall
it doesn’t happen to us all
but it does
enough
it’s hard
it’s tough
you see
the time slipped by
and the odd coincidences
seem to multiply
it makes me think
of the things done ‘wrong’
as if there’s any stock in that
as if it makes any sense at all
to wear a hat
when the weather’s nice
when the weather’s warm
when you need the time
but you can’t get born
you can’t get blood
from beneath that stone
it’s better for you
to be alone
darker
and wiser
lovelier too
more of them
than there are of you
try to recall how to get in
how to make it stir
make it stick
the ugly’s as easy to see
as any beauty will ever be
it’s right at the top
it hangs down to the knees
never says ‘thank you’
only says ‘please’
only makes use
of the things you can see
it hasn’t a moment for make believe
there’s a long, dark hallway
and a fisheye lens
proving
once again
that everything
depends
on where you’re looking from
and what can be seen
that the blues are certainly
sometimes
the greens
that the blacks are certainly
so close to the whites
that you’d mistake the two
if it was late in the night
or early on such an important day
that time took time
far
far
far
away
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