Showing posts with label Charles Waters. Show all posts
Showing posts with label Charles Waters. Show all posts

18 August 2011

difficult
                         waters

we stand where the land gives in to the harbor
and the rest of the journey is difficult         waters
but i can't think of
anyone
       i'd rather see

trying too hard is just
      hoping that you see
it's not about you
          it's not about me
                                    that much is a lie
it's just not about me

you drove away the snow turned 
        into rain
and your last apology
              didn't mean anything
you said ‘forget…
            forget i even came’

i spent the next three days in search of disaster
 with dylan
                   whiskey
                                    and all the best bastards
         that’s when the sad boys
                               lined up to see me

the ever-go-by shows you the picture
     then you decide that the small parts
         are     fiction
i’ll work on the world
                           you work on the time

                           sitting in swoon
bending back fingers
there's nothing i have    that's
   even worth stealing
you
                  underneath   
                                    breathe

‘my kingdom                            for a king’

            so
in a one window room
                  i make the decision
            the train rattles by
with a lack of precision
                  but you and all ways
find the tracks
                  that i need

    the sound of the air
is making me lonely
                  well   lonelier
                           that's better
to describe the courage
     to stubborn and stand
give the harbor a hand

this morning stands tall
    at a comfortable distance
from the truth or the past
                 whatever you noticed
       could take you away
take you to the sea

here's the trick though
 it's a bit late for changing
i wear this on my sleeve
cause that's what is remaining
and i can't think of
         anyone i'd rather be

                       late  
         on a friday
                  the stare isn’t moving
the figure descends
         and you won't get to me
circle the ones
                  that make you believe

            in
  suicide marks
      of procrastination
the something between us
                  won’t ever be patient
if you could marry an idea
                  then i'd be an idea

then the picture starts to fade
          it cracks
                  and it yellows
and you have to be
                  at rushford tomorrow
good at goodbye
                  isn’t something to be

      i'm broken
so fix me
   it isn’t a question
     i know that you're leaving
and there is no exception

but i still can’t think of
                  anyone
           i’d rather see


           to live                    is to fly
but that sounds like bullshit
    i don't know who'd believe it
and waste their time chasing it
                   but would you would you would you

come to england with me?







11 August 2011

having a designer doesn't put us at rest
truth is not as important as good behavior


The various modes of worship, which prevailed in the Roman world, were all considered by the people, as equally true; by the philosopher, as equally false; and by the magistrate, as equally useful. -Edward Gibbon
(1776)(Chapter II: The Internal Prosperity In The Age Of The Antonines.—Part I. Second Paragraph)

                  fellow mercurians lend me your resumes  

took to practice
      busting match heads
with alice
we all want the same thing
friend to man
    the in group
tall to stand
three pages a day
and forty eight pages behind

               early morning

stamps
self addresses
the curls make smiles
         that make waves
upon a working man's things
time isn't up
    but it's filling the cup
and that is almost enough
         leaves leaf
   leath wreath
complete

when you play only longshots
         you will win big
                 just a matter of when
and the long in-betweens

the quintuple spaces
the lip line traces
      and the lack of motivation
to solve anything beyond
    laziness
and temporal concerns
      the heartbeat is learned
not fated
           or earned
like anything else
and unbeknownst to itself
here's one to your health    

                         your wealth

       in the end
you were a punchline
you were the fat man
you were a joke
            my curse against them
is that i believe you
       my curse against them
  is hope
don't know which one
of you was
   lying
and i don't care how much
            you stole
i give it to you for trying
                    here's what i know

the metal has a memory
it knows just the way you bent
           and it's waiting to go back
like you're waiting to go back

i knew the catch before i saw the movie
                   they told me 'rosebud' was the sled
i heard what it really meant
                     yeah
  i heard what it meant

did you run out of future did your future get used up did you run out of time                                                                      orson
 or just run out of luck

it was armistice day           opening day
i was sorry but we needed you   on the twenty third floor
and if they can't find you
 they can't hate you     anymore
or at least that was the plan
                 until the greatness of CAN

don't confuse success with love
and don't believe in luck
 it never did me any good

it is nothing but
       a slave-ish kind of worship

        your          government
   is        calling  it
faith based
          like that’s a good thing
roosevelt called upon god   god
all opposed
      stand
and nod

the real issue
              is the theft
of anything    that can be dollar signed


Photo by Charlie Waters

05 June 2011

into the fastened yesterday


the headaches are for men in white socks
ties keep hard heads full   of knots
                     won’t quite forget what’s best forgot
their ballad blues have sudden stops

                                   these mellow horns of ragged age
give pause enough to turn the page
in  contraband denoting change
                          head to head     the solstice same

tenor hands   slow  and sweet
                           walter staring at his feet
counting minutes of the day
swing your step  to make your way

into the fastened yesterday



12 April 2011

the eights say things
that no one else asks you


math rock is a comedian stepping on his laughs  just a figure floating   fast   pick and past  jick licks last the russian novel tuning with a bullet wound occipital lobe   vestiges of hope  from a time we could cope we counted on things solid gold  the end of rainbows that weren’t all that special on their own but put together  minds are blown   LIES LIES political party platform ties  accidents of history by furniture makers drug takers  in ginsberg’s sanfrancisco  but what the fuck did he know   singing and shaking  a blue black tornado  great plains potatoes shiny shirts and drug abused pinwheel fast exhumation blues    snake fingered hands bottle neck pride twenty two years of fucked up insides  headed south to hungry mouths dilettantes  make all the doubts   fifty star placemats at jonathan’s house of breakfast smoking section  ice cream scoops of butter fool  he’s the kind of man who would do that to you  run to born  salley shirtless de la puked on soft soled shoes  wait what was that the roots   don’t be afraid of the obvious the lot of us up against the wall on the SG call it’ll break  if it falls you can glue the headstock but won’t be what it was   won’t be the same   it’ll sound just as plain but never once leave your ark to explain how the onetwothree rut of the early decade makes every attempt to pre-tend you saved enough time truth or money to finally sway the world the curls to look your way    the lines end up closer as the page starts to bend i’ll be your brother just don’t condescend you can suite it or theme it  the chapter comes after in the highways and try ways of impending disaster   can you smell the nitrogen  can you believe the chewing gum   it lasted a minute longer  than it had to   you see the eights say things that no one else asks you


photo by charlie waters

14 March 2011

charlie waters' late autumn sky


the trees reach
                     they always   reach
                                                                          higher even
                              with nothing really   to  weigh them down

   the bright sky
             like her blue eyes
    has  a   coldness
                      the edge around

there is a cloud streak
or a jet stream
                        the new day is shaking off its night

there's a couple hundred reasons
and a couple thousand worries
of where she is
                                                if she might

there are birdcalls
           and            diz cheeks
    there's a cello sitting right out here
                 on church  street

               
that's where the voice fades
                            yeah      
that's where i stay
                            it's the blue again       
 just cold enough

                to keep     


 but the dark earth
                                 has its own worth
        like the brown eyes
                                             that coffee gave to me

                                                      they watch      time crawl
                                                                         right down the back hall
                                                     minutes
                                                                              until                   eternity

                           here
                                    the high notes
                  of his saxophone
                                    are staring          at my breath

         they beat   back ideas
floating through years
                 just enough sand shift to make me
                                


photo by Charlie Waters